Two Quits And A Drum, And Elegy For Drinkers
1. ON ASPHALT: NO GREENS
Quarry out the stone
of land, cobble the beach,
wall surf, name it “street,”
allow no ground or green
cover for animal sins,
but let opacity of sand
be glass to keep the heat
outside, the senses in.
Then, when time’s Drunk,
reeling to death, provokes
god’s favor as a fool,
oh let a lamp post grow
out of its absence, bend,
heavy with care, and bloom
light. Let a curb extrude
a comfortable fault. Let
“street” become a living room.
Comfortably seated, lit
by the solicitude of “lamp,”
the Drunk and street are one.
They say, “Let’s have no dirt:
bulldoze the hills into
their valleys: make it plain.
Then take the mountains down
and let their decks of slate
be dealt out flat grey.
Let their mating seams
be tarred against the weeds
by asphalt, by the night’s
elixir of volcanoes hotly poured.”
Then the soulless port at night
is made a human, and the Drunk
god: no one else is here
to be so but who cares?
2. PORTRAIT AGAINST WOMEN
Bones, in his falling,
must have hit the skin
between themselves and stone,
but distances of wine
were his upholstery
against the painful crime
of lying in the street,
since “God protects them.”
He rolled onto his back,
his right hand in his fly,
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poem by Alan Dugan
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