Quotes about canon, page 10
The Invitation to Selborne
See Selborne spreads her boldest beauties round
The varied valley, and the mountain ground,
Wildly majestic! what is all the pride
Of flats, with loads of ornament supply'd?
Unpleasing, tasteless, impotent expense,
Compar'd with nature's rude magnificence.
Arise, my stranger, to these wild scenes haste
The unfinish'd farm awaits your forming taste:
Plan the pavilion, airy, light and true;
Thro' the high arch call in the lengthening view;
Expand the forest sloping up the hill;
Swell to a lake the scant, penurious rill;
Extend the vista, raise the castle mound
In antique taste, with turrets ivy-crown'd;
O'er the gay lawn the flow'ry shrub dispread,
Or with the blending garden mix the mead;
Bid China's pale, fantastic fence, delight,
Or with the mimic statue trap the sight.
Oft on some evening, sunny, soft and still,
The Muse shall lead thee to the beech-grown hill,
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poem by Gilbert White
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Three Men Of Truro
I
E. W. B.
Archbishop of Canterbury: sometime the First Bishop
of Truro. October 1896
The Church's outpost on a neck of land
By ebb of faith the foremost left the last
Dull, starved of hope, we watched the driven sand
Blown through the hour-glass, covering our past,
Counting no hours to our relief—no hail
Across the hills, and on the sea no sail!
Sick of monotonous days we lost account,
In fitful dreams remembering days of old
And nights—th' erect Archangel on the Mount
With sword that drank the dawn; the Vase of Gold
The moving Grail athwart the starry fields
Where all the heavenly spearmen clashed their
shields.
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poem by Sir Arthur Quiller-Couch
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My Cicely
"ALIVE?"--And I leapt in my wonder,
Was faint of my joyance,
And grasses and grove shone in garments
Of glory to me.
"She lives, in a plenteous well-being,
To-day as aforehand;
The dead bore the name--though a rare one--
The name that bore she."
She lived ... I, afar in the city
Of frenzy-led factions,
Had squandered green years and maturer
In bowing the knee
To Baals illusive and specious,
Till chance had there voiced me
That one I loved vainly in nonage
Had ceased her to be.
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poem by Thomas Hardy
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Heretic's Tragedy, The
A MIDDLE-AGE INTERLUDE.
ROSA MUNDI; SEU, FULCITE ME FLORIBUS.
A CONCEIT OF MASTER GYSBRECHT,
CANON-REGULAR OF SAID JODOCUS-BY-THE-BAR,
YPRES CITY. CANTUQUE, _Virgilius._
AND HATH OFTEN BEEN SUNG
AT HOCK-TIDE AND FESTIVALES. GAVISUS
ERAM, _Jessides._
(It would seem to be a glimpse from the
burning of Jacques du Bourg-Mulay, at Paris,
A. D. 1314; as distorted by the refraction from
Flemish brain to brain, during the course of
a couple of centuries.)
[Molay was Grand Master of the Templars
when that order was suppressed in 1312.]
I.
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poem by Robert Browning
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The Heretic's Tragedy
A Middle-Age Interlude
Rosa mundi; seu, fulcite me floribus. A conceit of Master Gysbrecht, Canon-regular of Saint Jodocus-by-the-Bar, Ypres city. Cantuque, Virgilius. And hath often been sung at Hock-tide and festivals. Gavisus eram, Jessides.
(It would seem to be a glimpse from the burning of Jacques du Bourg-Molay, at Paris, A.D. 1314; as distorted by the refraction from Flemish brain to brain, during the course of a couple of centuries.)
[Molay was Grand Master of the Templars when that order was suppressed in 1312.]
I
PREADMONISHETH THE ABBOT DEODAET.
The Lord, we look to once for all,
Is the Lord we should look at, all at once:
He knows not to vary, saith Saint Paul,
Nor the shadow of turning, for the nonce.
See him no other than as he is!
Give both the infinitudes their due—
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poem by Robert Browning from Men and Women (1855)
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The Ghosts Of The Trees
The silver fangs of the mighty axe,
Bit to the blood of our giant boles;
It smote our breasts and smote our backs,
Thunder'd the front-cleared leaves--
As sped in fire,
The whirl and flame of scarlet leaves
With strong desire
Leaped to the air our captive souls.
While down our corpses thunder'd,
The air at our strong souls gazed and wondered
And cried to us, 'Ye
Are full of all mystery to me!
I saw but thy plumes of leaves,
Thy strong, brown greaves;
The sinewy roots and lusty branches,
And fond and anxious,
I laid my ear and my restless breast
By each pride-high crest;
And softly stole
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poem by Isabella Valancy Crawford
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140 Fragments
1-14
I could say anything, and you wouldn’t know.
There is no one else.
Stand me on a chair, and call me Hope.
Loving is easy when you breathe God.
So many lives: I want to live them all.
Everyday with you holds an exquisite unoriginality.
Think: rational milk without guile.
A macaw squawks in my throat.
I’ve pilfered someone else’s passion.
He’s singin’ in Swahili & strummin’ a guitar.
A jar of ice jade melted.
You’re not welcome here.
I wish I could feel sincere.
The world is flat and I am a garden.
15-28
Sir, addressing the floor in such a manner is inappropriate.
Sulk—now there’s a mood in which to sink.
Too often I dwell atop a brink of petulance.
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poem by Indigo Hawkins
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The Canterbury Tales; The Chanouns Yemannes Tale
The prologe of the Chanouns yemannes tale.
Whan ended was the lyf of seinte Cecile,
Er we hadde riden fully fyve mile,
At Boghtoun under Blee us gan atake
A man, that clothed was in clothes blake,
And undernethe he wered a whyt surplys.
His hakeney, which that was al pomely grys,
So swatte, that it wonder was to see,
It wemed as he had priked miles thre.
The hors eek that his yeman rood upon
So swatte, that unnethe myghte it gon.
Aboute the peytrel stood the foom ful hye,
He was of fome al flekked as a pye.
A male tweyfoold upon his croper lay,
It semed that he caried lite array.
Al light for somer rood this worthy man,
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poem by Geoffrey Chaucer
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Her Portrait
Oh, but the heavenly grammar did I hold
Of that high speech which angels' tongues turn gold!
So should her deathless beauty take no wrong,
Praised in her own great kindred's fit and cognate tongue.
Or if that language yet with us abode.
Which Adam in the garden talked with God!
But our untempered speech descends--poor heirs!
Grimy and rough-cast still from Babel's bricklayers:
Curse on the brutish jargon we inherit,
Strong but to damn, not memorise, a spirit!
A cheek, a lip, a limb, a bosom, they
Move with light ease in speech of working-day;
And women we do use to praise even so.
But here the gates we burst, and to the temple go.
Their praise were her dispraise; who dare, who dare,
Adulate the seraphim for their burning hair?
How, if with them I dared, here should I dare it?
How praise the woman, who but know the spirit?
How praise the colour of her eyes, uncaught
While they were coloured with her varying thought
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poem by Francis Thompson
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Malcolm's Katie: A Love Story - Part V.
Said the high hill, in the morning: 'Look on me--
'Behold, sweet earth, sweet sister sky, behold
'The red flames on my peaks, and how my pines
'Are cressets of pure gold; my quarried scars
'Of black crevase and shadow-fill'd canon,
'Are trac'd in silver mist. How on my breast
'Hang the soft purple fringes of the night;
'Close to my shoulder droops the weary moon,
'Dove-pale, into the crimson surf the sun
'Drives up before his prow; and blackly stands
'On my slim, loftiest peak, an eagle, with
'His angry eyes set sunward, while his cry
'Falls fiercely back from all my ruddy heights;
'And his bald eaglets, in their bare, broad nest,
'Shrill pipe their angry echoes: ''Sun, arise,
''And show me that pale dove, beside her nest,
''Which I shall strike with piercing beak and tear
''With iron talons for my hungry young.''
And that mild dove, secure for yet a space,
Half waken'd, turns her ring'd and glossy neck
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poem by Isabella Valancy Crawford
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